Category: Short Non-fiction

Bissett, Carina

AWARDS:

Silver Hammer Award, 2020

NOMINATIONS:

“Words Wielded by Women” (Apex Magazine), Short Non-fiction, 2023

BIO: Carina Bissett is a writer, poet, and educator working primarily in the fields of dark fiction and fabulism. Her short fiction and poetry have been published in multiple journals and anthologies including Upon a Twice Time, Bitter Distillations: An Anthology of Poisonous Tales, Arterial BloomGorgon: Stories of EmergenceWeird Dream SocietyHath No Furyand the HWA Poetry Showcase Vol. V, VI, and VIII. She has also written stories set in shared worlds for RPGs at Green Ronin Publishing and Onyx Path Publishing. In addition to writing, she has edited several projects; the most recent is in the role as co-editor for Shadow Atlas: Dark Landscapes of the Americas. Bissett also teaches generative writing workshops at The Storied Imaginarium and works as a volunteer for the Horror Writers Association (HWA). In 2016, she won the HWA Scholarship, and in 2021, she was awarded the prestigious Silver Hammer Award. Her work has been nominated for several awards including the Pushcart Prize and the Sundress Publications Best of the Net. She can be found online at http://carinabissett.com.

Joseph, Rhonda Jackson

NOMINATIONS:

Hell Hath No Sorrow Like a Woman Haunted (The Seventh Terrace), Fiction Collection, 2022

“The Beloved Haunting of Hill House: An Examination of Monstrous Motherhood” (The Streaming of Hill House: Essays on the Haunting Netflix Adaption), Non-Fiction, 2020

BIO: Rhonda Jackson Garcia, AKA RJ Joseph, is an award winning, Bram Stoker Award® nominated academic and creative writer. She received her MFA in writing popular fiction from Seton Hill University and currently serves as a Professor of English at Lone Star College in Texas.

Weich, Valerie E.

NOMINATIONS:

“Lord Byron’s Whipping Boy: Dr. John William Polidori and the 200th Anniversary of The Vampyre” (Famous Monsters of Filmland, Issue #291), Short Non-Fiction, 2019

BIO: Valerie E. Weich has worked in the non-profit world for over 25 years, raising funding to support a variety of incredible causes and programs, including animal welfare, domestic violence survivors, healthcare for immigrant women, children with autism, adults with developmental disabilities, youth development and the arts.

In April 2003, she made her debut as “Louisa May Alcott” for the Pasadena Museum of History in an original, one-woman presentation, The Late Louisa May. She subsequently developed the performance into an educational outreach program (Literary Lives) and has since performed for more than 8,000 students in the Glendale, Pasadena, Burbank, Alhambra, and Los Angeles Unified School Districts. She has also made numerous appearances in a variety of venues (libraries, museums and women’s clubs) for audiences of all ages. FIRSTS: The Book Collector’s Magazine published her article about Miss Alcott titled, “Collecting Louisa May” (December 2004).

Valerie curated her first art exhibition at the South Pasadena Public Library in October 2018—Frankenstein Meets Little Women: A Monster Mash—that featured eleven artists (Patience Anders, Mike Bell, Joan Charles, Steven Corvelo, Tony Gleeson, Gris Grimly, Douglas W. Kirk, Tim Kirk, Tanya Maibaroda, Cassie Meder and Dany Paragouteva) celebrating the 200th anniversary of Frankenstein and the 150th anniversary of Little Women.

A member of the Horror Writers Association, Valerie was accepted into HWA’s Mentor Program and partnered with J.D. Barker as her mentor. He is advising her on her debut novel, Frankenstein Reborn (working title).

She is currently a Bram Stoker Award® nominee in the category of Superior Achievement in Short Non-Fiction. Her article titled “Lord Byron’s Whipping Boy: Dr. John William Polidori and the 200th Anniversary of The Vampyre” was published in Famous Monsters of Filmland, No. 291 (October 2019). She is also a nominee for a Rondo Hatton Classic Horror Award.

With grant funding from The Puffin Foundation, Ltd., Valerie is developing a one-woman presentation titled Frankenstein’s Mother: An Evening with Mary Shelley.

She will appear as American author Louisa May Alcott in a special Living History presentation on Sunday, March 15, 2020 at 2:00 p.m. at The Shakespeare Club of Pasadena in partnership with The Pasadena Museum of History.

Robinson, Kelly

NOMINATIONS:

“Lost, Found, and Finally Unbound: The Strange History of the 1910 Edison Frankenstein” (Rue Morgue Magazine, June 2020), Short Non-Fiction, 2020

“Film’s First Lycanthrope: 1913’s The Werewolf” (Scary Monsters Magazine #114), Short Non-Fiction, 2019

BIO: Kelly Robinson is a freelance writer and researcher with an interest in silent film, horror, and weird history. Her contributions to magazines like Rue Morgue and Scary Monsters have garnered several Rondo Hatton Award nominations for excellence in classic horror research. She is a recipient of the Horror Writers Association’s Rocky Wood Memorial Scholarship for non-fiction writing, and is the founder and host of Knoxferatu, an annual silent horror film event in Knoxville, Tennessee.

Renner, Karen J.

NOMINATIONS:

“The Evil Aging Women of American Horror Story” (Elder Horror: Essays on Film’s Frightening Images of Aging) (McFarland), Short Non-Fiction, 2019

BIO: Karen J. Renner is an associate professor of English at Northern Arizona University. Her edited collection, The ‘Evil Child’ in Film, Literature and Popular Culture, waspublished by Routledge in 2013 and her single-authored study of the subject, Evil Children in the Popular Imagination, byPalgrave Macmillan, 2016. She is currently at work on a follow-up book titled Killer Kids: Juvenile Homicide in U.S. Popular Culture, which is under contract with the University Press of Mississippi. She has also published articles on the appeal of the apocalypse, masculinity in ghost-hunting “reality” television, Edgar Allan Poe’s influence on serial killers, girls’ diaries in horror films, and cinema’s monstrous newborns and the mothers who love them. 

https://www.karenjrenner.com/

https://nau.academia.edu/KarenRenner